Medicine Horse leads a team of animators at Hybrid Studios in St. Louis Park.
“I’m not painting the lake as it is. But it’s there as inspiration, as spiritual guidance.”
Rivkin was nominated for an Oscar for editing on James Cameron’s Avatar.
Somewhere between street photography and solemn portraits sits the work of Tom Arndt. He’s drawn to public events, but is more likely to shoot the crowd than the parade.
“My body of work as a whole is probably unavoidable,” says Bill Rude, who at 6’4” is hard to miss in person. On the big or small screens, however, his behind-the-scenes work really stands out.
“Constructed photography” is the art-critic term for what James Casebere does. But however you react to his moody, thought-inducing photos, their power is undeniable.
Monet came back to his haystacks, Picasso to his many women, and Warhol to his Jackie Kennedys. So why shouldn’t Rod Massey find regular inspiration in south Minneapolis?
As married designers, Jonathan Keller and Keetra Dixon work separately but with a common attitude: break the rules.
What's the future of printmaking, or graphic design, or painting, or non-gallery exhibition, or public art? Look no further than Patrick Miller's two-man collective called Faile.
Tidy individual images on canvas were not enough for Carole Fisher. Big issues have been her subject matter.
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