“I feel people should go to school twice. Once in their twenties, and then again after they’ve lived a while, done other things.”
Participating in the MCAD Art Sale is probably one of the biggest reasons that I'm a full-time artist today.
Draplin owns and operates the design firm Draplin Design Co.
Wellenstein’s clients include the New York Times, the Museum of Modern Art, Good magazine, and Yale University.
Jakab is responsible for the visuals, transitions, typography, and patterns seen in the software on Motorola’s phones, tablets, and other devices.
Keenan is the manager of Creative Services at American Public Media.
Dressel’s film Rough Tender won Best Feature at the Minneapolis International Film Festival.
Bell is vice president and head of the photographs department at Christie’s in New York.
It's possible you might have seen one of his sculptural/environmental creations, but it's more likely you've seen the art he helped others make and put on display.
Jerry Grove went from designing products to producing designers. And artists, too.
Brother Frank Kacmarcik Obl.S.B. became one of the world's most influential voices in church design, printing, and the graphic arts.
Together with creative partner Andy Pressman at Rumours, their forward-looking studio in Brooklyn, Morton encourages readers and users to think "across platforms."
I realized quickly how a creative mind and good technical skills were huge assets.
"Covering the news," can also lead to making the news. Dave Bowden went straight from MCAD into work as a cameraman-editor.
Corinne Wright, onetime photo/animation double major, now a corporate counsel for a food manufacturing company, recalls similar academic freedom.
At the points where dance, photography, diagramming, architecture, and event weather maps meet, Kelly Nipper created arresting experiences.
From large slabs of Minnesota basswood, Aaron Spangler methodically creates sculptures that go just beyond "folk art" into what he calls "the epic, the paranoid, and the absurd."